Showing posts with label It'll Be Me. Show all posts
Showing posts with label It'll Be Me. Show all posts

Thursday, November 6, 2008

Day 243: 6/26/1977 Los Angeles, CA

6/26/1977 Los Angeles, CA  Take the High Road
The Song Remains the Same*, Sick Again, Nobody's Fault But Mine, Over the Hills and Far Away, Since I've Been Loving You, No Quarter, Ten Years Gone, The Battle of Evermore, Going to California, That's All Right, Black Country Woman, Bron-Y-Aur Stomp, White Summer/Black Mountain Side, Kashmir, Over the Top, Achilles Last Stand, Stairway to Heaven, It'll Be Me
*- It'll Be Me (TDOLZ)

The tape begins with a brief soundcheck, followed by an excited holler from the taper as Page launches into The Song Remains the Same. Plant barks aggressively as the band hammers through a brutal Sick Again. Page shreds through a blistering guitar solo during Nobody's Fault But Mine. As the song ends, Plant asks the crowd if they're familiar with Badge Holders, explaining "to be a Badge Holder is to be someone's loved one and to hold a badge." Over the Hills and Far Away is dedicated to Richard Cole, "who hasn't got a Badge Holder." Page tears through a wild, spaced-out guitar solo as Bonzo and Jones explore a funky groove. Since I've Been Loving You is an intense emotional journey, introduced as "a blues for Badge Holders." 

Jones's piano solo develops into an excellent blues shuffle as Page and Bonzo join in during No Quarter. The band is absolutely on fire as Page blazes through a fantastically epic guitar solo. He shreds wildly through the song's explosive outro. An amazing performance. The band gets into an excellent impromptu rendition of That's All Right prior to Black Country Woman. Page wanders through a seemingly endless, twenty-two minute White Summer/Black Mountain Side, the longest ever. Plant delivers a strong performance during a thunderous Kashmir, belting out each line with power and bravado. Only the intro and outro of Over the Top survive on the tape, cutting out the majority of the drum solo. Page's experimental guitar solo is unbearably long, stretching well beyond twenty minutes in length. 

The band pummels the crowd during a frantic Achilles Last Stand. Bonzo thrashes at his drums with incredible intensity as Page shreds wildly through the guitar solos. The combined sonic assault threatens to destroy the taper's equipment. An utterly devastating performance. Stairway to Heaven features an outstanding guitar solo from Page. His fingers race across the fretboard in an endless cascade of notes as the band slowly builds to an explosive climax. A fantastic performance, one of the best in recent memory. Plant tells the crowd "we're gonna try something off the new album that's coming out in about, um... in a period of time," adding "yes, we're actually gonna record again" before the band closes the show with a riotous rendition of Jerry Lee Lewis's It'll Be Me. As the song ends, Plant announces "thank you LA, twenty-five past midnight, goodnight!"

The tape is fairly clear, if a bit distant and boomy.

Click here for audio samples courtesy of Black Beauty.

Wednesday, October 15, 2008

Day 227: 5/22/1977 Fort Worth, TX

5/22/1977 Fort Worth, TX  Complete Tarrant Concert
The Song Remains the Same, Sick Again, Nobody's Fault But Mine, In My Time of Dying, Since I've Been Loving You, No Quarter, Ten Years Gone, Going to California, Black Country Woman, Bron-Y-Aur Stomp, White Summer/Black Mountain Side, Kashmir, Over the Top, Achilles Last Stand, Stairway to Heaven, Rock and Roll, It'll Be Me

Bonzo comes out swinging as the show gets underway, pummeling his drums in a frantic stampede during The Song Remains the Same. The frenzy continues as the band hammers through a devastatingly heavy Sick Again. Page shreds wildly as Bonzo and Jones decimate the crowd with their bone-crushing rhythm. The combined sonic assault threatens to destroy the taper's equipment. As the song ends, Plant apologizes for the delay amidst shouts of "sit down!" from the crowd. Page blazes through a nasty guitar solo during Nobody's Fault But Mine. In My Time of Dying is an aggressive cacophony. Page begins the intro only to stop moments later and start over, with Plant joking "there's a few clowns onstage too." Bonzo hints at The Crunge briefly toward the end of the song, throwing Page's timing off in the process.

Page is on fire during an incredibly powerful Since I've Been Loving You. His fingers tear across the fretboard in a furious cascade of notes during the blistering guitar solo. Jones's piano solo during No Quarter features another frenzied rendition of Nut Rocker. Bonzo drives the band forward, experimenting with a variety of rhythmic textures as Page delivers a long, wandering guitar solo. Ten Years Gone is introduced as a song "about the love that you always cherish in your heart and never forget." Unfortunately, the song is cut during the first guitar solo. The beginning of Going to California is met with a loud cheer from the crowd. The arena quakes under the power of Bonzo's thunderous pounding during Kashmir.

Plant introduces Bonzo as "the man who only last night was standing in the wardrobe when a fist went straight through the door and hit him on the nose" before an epic Over the Top. Page's inclusion of Dixie and The Star-Spangled Banner during his experimental guitar solo draws cheers and applause from the crowd. Bonzo thrashes wildly at anything within reach during an aggressive Achilles Last Stand. Plant dedicates Stairway to Heaven to "all the people who've made our stay really pleasant." The encore begins with the first appearance of Whole Lotta Love since 5/25/1975, although only as a minute-long prelude to Rock and Roll. The latter features an odd stuttering intro from Bonzo. The biggest surprise of the night comes as Plant introduces Mick Ralphs of Bad Company on second guitar before an excellent impromptu rendition of Jerry Lee Lewis's It'll Be Me. As the band leaves the stage, Plant announces "Led Zeppelin are now gonna get it off, goodnight."

The tape is a combination of three sources, ranging in quality from clear to distant and noisy.