Day 112: 6/25/1972 Los Angeles, CA

6/25/1972 Los Angeles, CA Burn Like a Candle

Immigrant Song, Heartbreaker, Over the Hills and Far Away, Black Dog, Since I've Been Loving You, Stairway to Heaven, Going to California, That's the Way, Tangerine, Bron-Y-Aur Stomp, Dazed and Confused, What is and What Should Never Be, Dancing Days, Moby Dick, Whole Lotta Love, Rock and Roll, The Ocean, Louie Louie, Thank You, Communication Breakdown, Bring it on Home

The first of two shows used to create 2003's How the West Was Won, the tape begins with the familiar droning intro before Immigrant Song comes crashing through the gate like a thunderous stampede. Page shreds through the frenzied guitar solo during Heartbreaker. Plant tells the crowd "we'd like to try a number out off the new album," but warns "we haven't really decided what we're gonna do at the end of it yet, so you'll have to bear with us" before the first complete recording of Over the Hills and Far Away. The choruses find Plant in all his high-pitched glory.

Before Black Dog, Plant assures the crowd that the song is about "a poor dog" and has "nothing to do with a chick in Detroit." Since I've Been Loving You is a bit subdued despite some inspired soloing from Page. Plant's introduction of Stairway to Heaven draws a loud cheer from the crowd. Page blazes through the guitar solo. Plant's voice gets a bit rough during the final rock section. Before the acoustic set, Plant criticizes the security staff for "cartin' people out with little flash cameras," calling them "the gestapo." Going to California is absolutely beautiful. Following an excellent That's the Way, Plant tells the crowd "we got a long, long time to go... we've been known to play for twelve and a half hours." He calls for a spotlight on Bonzo before Bron-Y-Aur Stomp.

Bonzo attacks his drums with incredible ferocity during the initial verses of Dazed and Confused, his snare cracks like gunfire during the frantic lead-in to the bow solo. Page's fingers get a bit sticky as he solos wildly during the guitar solo/workout section. The extended outro is fantastic, Page's soloing is particularly inspired. Plant jokes that the next album will be called "Burn That Candle" before Dancing Days. Bonzo mounts a full-on sonic assault during Moby Dick, his thunderous pounding is like a violent earthquake. Whole Lotta Love is dedicated to LA. The excellent medley includes Boogie Chillen', an excellent rendition of Elvis Presley's Let's Have a Party, a fantastic Hello Mary Lou, Heartbreak Hotel, a riotous Slow Down with a frenzied guitar solo from Page, and an exceptional Goin' Down Slow.

Page shreds through the guitar solo during Rock and Roll. Someone near the taper can be heard shouting "When the Levee Breaks!" as Plant introduces Jones before another raucous rendition of Louie Louie. Jones plays a bit of Everyday People during the organ solo before Thank You. The show closes with a laid-back Bring it on Home. Another epic marathon at the LA Forum. Must hear.

The tape is excellent, very clear and well-balanced.

For a fascinating breakdown and analysis of how How the West Was Won was created, visit Eddie Edwards's The Garden Tapes.

Day 110: 6/19/1972 Seattle, WA

6/19/1972 Seattle, WA Dancing Again

Immigrant Song, Heartbreaker, Black Dog, The Ocean, Since I've Been Loving You, Stairway to Heaven, Going to California, Black Country Woman, That's the Way, Tangerine, Bron-Y-Aur Stomp, Dazed and Confused, What is and What Should Never Be, Dancing Days, Moby Dick, Whole Lotta Love, Rock and Roll, Louie Louie, Let's Dance, Thank You, Money, Over the Hills and Far Away, Dancing Days

The tape begins during the final verse of Immigrant Song. A thunderous Black Dog is followed by the first appearance of The Ocean. Bonzo pummels his drums during an urgent Since I've Been Loving You. Someone near the taper exclaims "oh wow, oh wow!" as the song ends. Page blazes through the guitar solo during Stairway to Heaven, repeating licks to mesmerizing effect. The very beginning of Going to California is cut. There is quite a bit of chatter going on around the taper, destroying the delicate atmosphere.

Following a cue from Plant, the rest of the band joins in for the first complete performance of Black Country Woman. Someone near the taper inquires about his tape recorder after That's the Way, taking time to say "hi" into the microphone. There is a cut near the beginning of Tangerine due to a tape flip. Bron-Y-Aur Stomp transforms the crowd into a foot-stomping hoedown. Plant comments on the previous night's show and the trouble in Vancouver before Dazed and Confused, the opening notes of which cause someone near the taper to yelp and howl with excitement. The lead-in to the bow solo features some excellent interplay between Page, Jones, and Bonzo. Page solos wildly during the outro, which Bonzo and Jones turn into a menacing imperial march. Unfortunately, the tape is cut during the frenzied race to the finish.

What is and What Should Never Be is followed by the first appearance of Dancing Days. Still unsure of the changes, the band gets a bit mixed up a few times. Plant mentions Bonzo's efforts to lose weight this tour, introducing him as "John Bonham, at the beginning of this tour, two hundred and ten pounds... right now he's at a hundred and seventy-five pounds!" before Moby Dick. During the drum solo, the taper says "I hate drum solos, I hate them... hate 'em a lot" directly into his microphone. There is a cut about fourteen minutes in. The theramin freakout during Whole Lotta Love is a cacophonous explosion. The medley begins with a new slow arrangement of Boogie Chillen' before the familiar fast riff kicks off a marathon of classics including Elvis Presley's Let's Have a Party, Hello Mary Lou, an out of tune rendition of Only the Lonely, Heartbreak Hotel, and Goin' Down Slow, which is cut during the "please write mama..." verse, leaving us at the end of the finale.

Plant introduces Rock and Roll as "an old one." Jones's organ solo includes hints of Everyday People before the rest of the band joins in for an excellent rendition of Louie Louie followed by Let's Dance. Page tears through a great guitar solo during Thank You. The crowd goes absolutely wild as the band returns to the stage for a riotous rendition of Money, which is unfortunately cut after two and a half minutes. After the cut, we're left in the middle of the first appearance of Over the Hills and Far Away. If all of this wasn't enough to push the crowd over the edge, the recording ends with the second performance of Dancing Days of the night, with Plant joking "this is one that you might have heard about two hours ago." A marathon performance of epic proportions. Must hear.

The tape is fairly clear, if somewhat noisy and overloaded.

Click here for an audio sample courtesy of Black Beauty.